Monday, October 3, 2016

Reflections on Monsoon

       "Some people are never made for Love" This phrase suits the love life of Subhan. Even if he thinks he is born to be a lover, his love never grew much older. He portrays the boys who never got their true love, including me.

       In my first year of bachelor, I met a girl, beautiful enough to make me fall for her, outside of college. Later, fortunately, I found out she is my classmate. After the first week, I spoke to her for the first time. In the second week we were close friends, and in the third week we fell in love, I guess, or I think I absolutely fell for her. Even if there was no 'love' word was used by either of us, we knew we were closer enough that people could call it Love. We did everything a loving couple would do to love. But after some time she told me that she couldn't be with me because she was in love with another one and going to marry him soon. That was the time I was hurt by someone so badly for the first time and felt like Subhan in the novel. That's why I see myself in Subhan.

       Monsoon by Subin Bhattarai is a metaphor for love. Subhan, lead character portrayed in the novel, is a very life-like character. Boys may fall for every beautiful girl they see but sometimes a person comes into their life who kisses the deep inside of their heart. Relationships evolve, but it's true that boys will always try to rush for more without waiting. And sometimes they may fall when they can't keep the balance. And they can be brave and foolish in love at the same time, but when they love someone, they love truly from the deepest part of their heart.

Cover of the novel, Monsoon by Subin Bhattarai


       I believed that 'true love' has already migrated from this world, but Lovers like Subhan saved 'true love' from going away. Even though 'Love' is not his cup of tea, he is addicted to it. Monsoon's Love to God-Knows-who became a disease to Subhan's love. I'm not saying that Monsoon's love to her beloved is nothing but the way she played with Subhan's feeling is unacceptable. If she has to leave him anyway, why she has to give hope of her return in his life.

       But the writer has hurt him more than Monsoon. Even the soldier shows mercy to his adversary but the writer had no mercy on him. He gave Subhan all misery of life that a normal person can't even think of. Most of all Love hurt him a lot, but he never stopped loving, making us proud. Yes, I'm proud of him, in fact, I'm proud of every true lover. I'm proud of his love to Monsoon, I'm proud of his stupidity, I'm Proud of his integrity, and most of all I'm proud his willpower to bear the pain. The writer is successful in arousing pity and fear to the readers. I feel pity for the undeserved misfortune of Subhan and I feel fear if the person with pity is someone like me.

       I know I cannot judge every girl in this world just because of Monsoon and the girl who dumped me, but sometimes I seriously feel like girls were made to hurt boys. And I think this needs to be stopped fo good.

       One thing I explored about women psychology after reading this book is that either a girl will love you endlessly no matter what or she will never love you because she loves someone else, even if she pretends to love you.

Auther of the novel Monsoon and other several successful books.

Friday, September 30, 2016

Reflections on ONE NIGHT @ THE CALL CENTER

Ever since I understood the meaning of success, I always tried to achieve it. In fact, I lured for it. Longing for success is easy, but it's hard as hell when you really go out there on a field to achieve it. When you try to accelerate towards the success, there will be a number of obstacles that will try to stop you. And it's the natural thing. As Newton said,  for every force there is an equal and opposite force. Harder the effort you put to achieve success, harder the barriers will try to stop you.
I'll give you an example to tell you how hard it really is to achieve success than imagining achieve it.
Once I had to go to Bardibas of Mahottari to attend a seminar there. As I have never been there, I planned to sort it out by asking someone who knew the directions. So I asked this one person who has been there before.
He gave me easy directions. He said like 'just get a taxi to go to the bus stop first. When you are at bus park, find a ticket counter and buy a ticket for the bus that goes to Janakpur. Get on the bus and enjoy your journey. But remember you have to get off at Bardibas. It's simple as that." As he finished I was already going to Bardibas in my mind.
I was 100% excited when I started my journey.
So I got myself ready and went to the roadside to get a taxi. But unfortunately, there was no taxi, in fact, no van, no rickshaw, no tempo or anything at all. There was no sign of public vehicles.
10 % of my excitement turned into boredom.
After ten entire minutes, a magic van showed up to calm my mind. But I realized that it was my unlucky day as I saw the van was full of the passengers. With much difficulty, I got into the van. It took 10 minutes to reach the bus-park. I bought a bus ticket to go to Bardibas. When I went near the bus, I realized that I was the first person to buy a ticket for that bus. It took 2 WHOLE hours to the whole seat to be occupied by the passenger.
My excitement reduced to 50 % when I had to wait for 2 boring hours.
Only after 2 hours, we started our journey. The journey was fun until, unfortunately, our bus tire had to be punctured when we reached near Gaur of Rautahat district of Narayani zone. And finally, I reached Bardibas with a little excitement and more frustration and boredom.


It's just one example that life is not as easy as we think it is. There are so my journies in life, and they are full of surprises. So I was tired of trying to achieve success, and I was almost going to give up in life, and I was looking for some ways to achieve success.
But just last week I bought this book named 'ONE NIGHT @ THE CALL CENTER' by Chetan Bhagat,  and now I got what I desperately looking for. I felt like I got the blessings from god the time I finished reading this novel.
Front Cover of the Fiction One Night @ The Call Center

Chetan Bhagat is very talented Indian writer. I like every other book that he wrote. This one inspired me very much.
This book is about six people working in a call center, set in one night. And that one night changed their lives. They are all ordinary people with whom extraordinary things happened. This is about the night when they got a phone call from God.
They all had a messed up life. Shyam has lost his self-confidence after being dumped by the girl who worked together with him. Priyanka’s domineering mother has arranged for her daughter’s upscale marriage to an Indian man in Seattle and forced her to marry him within a month. Esha wants to be a model but rejected because she is short which hurts her a lot. Lost and dissatisfied Vroom has high ideals, but compromises to do things that he hates most. Traditional type Radhika has just found out that her husband is sleeping with some other girl. And Military Uncle has ignored by her son and daughter-in-law and sits alone working the online chat.
Three-Fourth of the book goes at a good pace describing the lives of the 6 people . Apart from the problems with the callers, they also had a terrible boss – Bakshi.
When they were returning from the lounge bar, Bed, to their office, they ended up landing the Qualis in the foundation hole of a building. And they were about to die, there they got a phone call from god. What God said was the main part of this novel.
God called them to teach them a lesson of successful life.

"There are four things a person needs for success. I will tell you the two obvious ones first. One, a medium amount of intelligence, and two, a bit of imagination....."
"Self-confidence. The third thing you need for success is self-confidence...."
[ch 30, page 207]
"The fourth ingredient is the most painful one. And it is something all of you still need to learn. Because it is often the most important thing,"
"Failure,"
"...to be successful, you must face failure. You have to experience it, feel it, taste it, suffer it. Only then you can shine,"
"For once, you taste failure, you have no fear. You can take risks more easily. Then you don't want to snuggle in your comfort zone anymore-you are ready to fly. And success if about flying, not snuggling,"
[ch 30. page 208]

I wanna tell you one personal thing about me that I have always afraid of failure in my life. Whenever I tried to do something this one question in my head always stopped me "What if I fail?".
These words that God said really inspired me. Then I acknowledged the ingredients of success. Now I know what I really need to be a successful person. From now on I will face every failure and ask "What next?"
Now I've got the courage to do whatever I want to do because I know God is always with me.

Thank You, Mr. Chetan Bhagat, for this beautiful and inspiring Novel.
Chetan Bhagat, the author of this novel.

Monday, September 26, 2016

Psychoanalytic reading of Juino

       The romantic relationship portrayed in the novel 'Juino' by Binita Baral, has explored human behavior that has important connections for psychoanalytic criticism. You'll only see a romantic love scene in the novel if you read with your normal eyes. But if you put on a psychoanalytic lens and read the novel, you'll find the novel lying not in its apparent uniqueness but in the ways in which it mirrors all of the less appealing romantic relationship depicted and reveals a pattern of psychological behavior. This pattern lies in the growing fear of intimacy in Ashok after he loses his brother.

Cover of the novel Juino

       Many readers may find it difficult to understand that why Ashok had to abandon Katha after his brother's death. Well it's not his fault. If you view the novel through a psychoanalytic lens, you'll find all the answer of your questionsns. Let's begin by examining Ashok's love-at-first-sight.

       Every human being is constantly driven by his/her unconscious mind. Ashok's love, at first sight, is also is the result of his unconscious. What do you think a person's first 'love object' is? When we speak about love in psychoanalysis we often speak about “love object” and “object choice.” The first love object that both sexes have in common is their primary caregiver, usually the mother. The relationship that we have with this first “love object” lays the foundation of our capacity for love and affection later in life. If a Girl's personality matches the personality of his mother than he has greater chances of falling in love with her. You'll notice some similarities between his mother and Katha in some ways that he mentions their characteristics as the story develops.

       They both fell in each other's love, and later they reached the extreme point of love. Once you're too close to someone you may loose interest in him/her. The main reason behind Ashok's abandonment is his brother's death. HOW ? Death is the ultimate abandonment. When Ashok lose his brother, his thought was like "What did I do wrong?" Whether we realize it or not, the death of a loved one pushes our guilt buttons and the feeling of guilt overwhelms us : somehow I must have been inadequate; I must have done something wrong or I wouldn't be punished in this way. He felt guilty that he ignored his brother's phone call while making love with Katha. In fact, fear of such a loss, of such intense psychological pain, probably the biggest reason why he afraid to get too close to Katha or is afraid to love too deeply. He must have thought that if he can hold something back, not give his whole self over to the loved one, then he would be better able to bear the loss when the beloved dies. Fear of death is often responsible for fear of intimacy.

If you have any comments, please feel free to write it below.

Monday, September 19, 2016

Psychoanalytic Criticism

Introduction 


       Sigmund Freud, an Austrian-born neurologist, a psychotherapist is the founder of psychoanalysis. He is the first to draw the attention to the significance of the unconscious process of mind in normal and neurotic behavior. Psychoanalysis is the analysis of the unconscious forces believed to affect our mind and behavior. It is not, however, primarily a literary practice; it is a clinical and therapeutics methodology. But, it has become a very important process in the analysis of literature.
Sigmund Freud (1856-1939), 
       Whether we realize it or not, psychoanalytic concepts have become part of our everyday life, and therefore psychoanalytic thinking should have the advantage of familiarity. Why do we take out our anger on someone who is less strong than us, like our younger brother? Why not on someone stronger than us like our father or elder brother? Well, this is a psychological behavior in which we transfer our anger with one person onto another person (usually one who won't fight back or can't hurt us as badly as the person with whom we are really angry). Psychoanalysis wants to invade our most private being and reveal us to ourselves and to the world as somehow inadequate. Psychoanalysis helps us to understand human behaviors that until now may have seemed utterly baffling. If we can understand human behaviors with the help of psychoanalysis, then we must certainly be able to better understand literary texts, which are about human behavior.

The origins of the unconscious


       What is your favorite color? Red? Green? Yellow? or other? Why do you think that certain color is your favorite one? Can you answer that? You may answer like "because I like that color". But why do you like that particular color? why not others? and now you can't answer this question. Well, I have the answer. You like Green/Red/Yellow/another color because your unconscious mind likes it that's why you like it. so what is unconscious? Unconscious is the part of our mind that controls your behavior. All this time you have been motivated by the unconscious mind. The human mind has three parts: conscious, subconscious and unconscious. I'm not going to talk about conscious and subconscious because I'm not interested. My interest is in unconscious.
       The unconscious is a kind of storage, in our mind that stores pain. wounds, fears, guilty desires, unresolved conflict and all the painful experiences and emotions. According to psychoanalysis, each individual human being has the psychological history that begins with the childhood experiences in the family, and adult behavior is the direct result of that early experiences. The main purpose of psychoanalysis is to help us fix our psychological problems or disorder or dysfunctions, the focus is on patterns of behavior that are destructive in some ways. The repetition of destructive behavior exposes the existence of some important psychological difficulty that has probably been influencing us without our knowing it. Freud's most fundamental insight is that all human beings are motivated, even driven, by desires, fears, needs, unresolved conflicts of which they are unaware. The place in mind where all these desires, fears, needs, unresolved conflicts are kept is called unconscious of mind. The unconscious is the storehouse of those painful experiences and emotions, wounds, fears, guilty desires, and unresolved conflicts we do not want to know about because we feel we will be overwhelmed by them. The unconscious comes into being through repression of these unhappy psychological events when we are very young. Repression, however, doesn't exclude our painful experiences, but we unconsciously behave in ways that will allow us to 'play out' without admitting it to ourselves. For psychoanalysis, the unconscious is not a passive storage of neutral data, but it is a dynamic object that joins us at the deepest level of our being. 

       The family is very important in psychoanalytic theory because our behavior and thoughts are shaped as per role is given in the family. The birth of the unconscious lies in the way we perceive our place in the family. The oedipal conflict, sibling rivalry, penis envy, castration anxiety are merely descriptions of the dominant ways of family conflict.

The defenses, anxiety, and core issues


       Our mind will not openly allow us to find out what is it there in the unconscious because we are afraid of what we will find if we examine them too closely. Defenses are the processes by which the content of our unconscious are kept hidden in order to avoid knowing what we feel we can't handle knowing. Defenses include selective perception (hearing and seeing only what we can feel we can handle), selective memory (modifying our memories so that we don't feel overwhelmed by them or forgetting painful events entirely), denial (believing that the problem doesn't exist), avoidance (staying away from people or situation that are liable to make us anxious by stirring up some unconscious), displacement ( 'taking it out' on someone or something less threatening than the person who caused our fear, hurt, frustration, or anger), projection (ascribing our fear, problem, or guilty desire to someone else and then condemning him or her for it, in order to deny that we have it ourselves), and regression (the temporary return to a former psychological state either a painful or a pleasant experience, which is not just imagined but relieved).

       Defenses hide the content of our unconscious and give temporary relief. But sometimes our defenses momentarily break down, and this is when we experience anxiety. Anxiety can be an important experience because it can reveal our core issues. Following are the common core issues.

  • Fear of intimacy -- the chronic and overpowering feeling that emotional closeness will seriously hurt or destroy us and that we can remain emotionally safe only by remaining at an emotional distance from others at all times.
  • Fear of abandonment -- the unshakable belief that our friends and loved ones are going to desert us (physical abandonment) or don't really care about us (emotional abandonment)
  • Fear of betrayal -- the nagging feeling that our friends and loved ones can't be trusted.
  • Low self-esteem -- the belief that we are less worthy than other people and, therefore, don't deserve attention, love, or any other of life's reward.
  • Insecure or unstable sense of self -- the inability to sustain a feeling of personal identity, to sustain a sense of knowing ourselves.
  • Oedipal fixation (or oedipal complex) -- a dysfunctional bond with a parent of the opposite sex that we don't outgrow in adulthood and that doesn't allow us to develop mature relationships with our peers. (Tyson 26-27)
       The core issues are related to one another. Just as fear of intimacy can function as both a defense and a core issue, a given core issue can result from another core issue.The core issues stay with us throughout life and unless effectively addressed, they determine our behavior in destructive ways of which we are usually unaware.


Dreams and dream symbols


       Dreams are simply images that we see while we sleep. In other words, the dream refers to a series of thoughts, images, and sensations that occur involuntarily in the mind during certain stages of sleep. You have probably heard that dreams have some kind of meaning like some religious meaning. But under psychoanalytic criticism, the dream have psychological meaning. Freud thinks, if we analyze our dream too closely then we can find out what is hidden in our unconscious mind. That will help us to analyze our identity and even personality.

       Dreams are also the product of our unconscious mind. When we sleep, it is believed that our defenses do not operate in the same manner they do when we are awake. During sleep, the unconscious is free to express itself, and it does so in the form of a dream. In other words, unconscious releases the pains. wounds, fears, guilty desires, unresolved conflict in the form of a dream. However, even in our dream, there is some kind of censorship. There is some kind of protection against frightening insights into our repressed experiences and emotions, and that protection takes the form of dream distortion. The message our unconscious expresses in our dream, which is the dream's underlying meaning, or latent content, is altered so that we don't readily recognize it. Because the processes called displacement and condensation will alter the meaning of the dream.

       Dream displacement occurs when we see a 'safe' person, event, or object as a 'stand in' which represents a more threatening person, event, or object. For example, if you are sexually molested by a school teacher in real life, you may dream  that a friend is sexually molesting you instead of dreaming the exact incident. Condensation occurs during a dream whenever we use a single dream image or event to represent more than one unconscious wound or conflict. For example, battling a ferocious bear might represent psychological battles or conflict both at home and at work or at school. Displacement and condensation occur while we dream and these processes collectively known as primary revision. What we actually dream is the dream's manifest content. The manifest dream is the symbolic transformation of latent content. In Interpreting our dream then, our goal is to recall the manifest content and try to uncover the latent content. When we wake up, we might forget certain parts of the dream or remember those parts somewhat differently from how they actually occurred to further protect ourselves from knowing what is too painful to know. This process, which takes place when we are awake, is called secondary revision.

       Dream's manifest content, as a kind of dream symbolism, can be interpreted much the way we interpret symbols of any kind. There is no one-to-one correspondence between a given symbol and its meaning. So to increase our chances of interpreting our dream accurately, we must learn over time how we tend to represent certain ideas, feeling, and people in our dreams, and we must know the context in which a particular dream image occurred: what happened in the dream before, during, and after a particular dream image appeared?

       A dreamer creates all character in their dream, and each person we dream about is really a part of our own psychological experiences. Our sexuality is an important reflection of our psychological being. In order to interpret dreams, we need to be aware of the male and female imagery that can occur in the dream. Male imagery, or phallic symbols, can include towers, rockets, guns, arrows, swords, and the like. For example, if you dream that you are sword fighting with your friend, you might be expressing unconscious sexual aggression toward that friend or toward someone else for whom that friend is a safe stand-in. That sexual aggression might be interpreted in a number of ways: you may desire your friend's mate, or you may be jealous of your friend's mate, or you may want to hurt your mate's sexual self-image as your mate has hurt yours. Female imagery can include caves, rooms, walled-in gardens, cups, or enclosures and containers of any kind, or even milk, fruit and other kinds of food. For example, if you dream you are trapped or lost in a small, dark room, you might be expressing an unconscious fear of your mother's control over you or a fear that you have never completely matured as a human being. Another example can be, if you dream that you are trying to feed a number of kittens from a small bottle, you might expressing an unconscious feeling that too much is being asked of you by your children or spouse or your employer or by all of them.

       No matter how frightening or disturbing our dreams are, they are the safe outlets for unconscious wounds, fears, guilty desires, and unresolved conflicts.

The Meaning of death


       I've always afraid of death, I mean who doesn't? Almost all the people in this planet afraid to die. I'm not only afraid of dying myself that I'm also afraid that my loved ones would die. Sooner or later we all have to die. But even if we are afraid of death, we like death. Death is attractive to us. Don't get it? Let's find out how.

       We have a notable relationship with death. Our relationship to death is a principle organizer of our psychological experiences. That's why psychoanalytic theorists have given great importance to the subject matter of death. Freud suggests that there has been some tendency to treat death as an abstraction because its force is too frightening. Freud treated death as a biological drive, which he called the death drive or Thanatos. Human beings have a death drive. Freud attempted to account the alarming degree of self-destructive behavior of individuals and the whole nations, whose constant wars and internal conflicts could be viewed as a form of mass suicide. He concluded that there must be something in our biological makeup as a species to explain this death work, this psychological and physical self-destruction.

       A more useful and accurate way of understanding our relationship to death is to examine it in relation to the rest of our psychological experiences, of which it is an integral part. If we do this we will see that death is intimately connected to a number of other psychological realities. Because of the differences in their psychological makeup, every individual respond to death in various ways. For many of us, the thought of our own death keys into our fear of abandonment and fear of being alone. Death is the ultimate abandonment: no matter how close we are to our loved ones, no matter how important we are in our communities, when we die we die alone. Even if we die in a plane crash with two hundred other people, we each die our own private death. This fear of abandonment also plays a role when we fear the death of others. Fear of death is often responsible for fear of intimacy and fear of life. Taken to its logical extreme, this relationship to death will result in suicide. Our intense fear of losing our life makes living so painful and frightening that our only escape is death.

       Our fear of death is not simply fear of biological death but translates for most of us into fear of loss in general–loss of friends' attention, loss of children's love, loss of health, loss of job, loss of looks, loss of money–then we can see how death, emotional death if not biological death, is so attractive, at least on the unconscious level: if I don't feel anything, then I can't be hurt. This fear of loss is probably the biggest reason why some of us are afraid to get too close to another person or to love too deeply.

The meaning of sexuality


       Boys, how do you feel when someone says to you 'You're a girl, you sissy!'? Obviously, it will threaten you. Because penis represents the power, and you may not consciously know that but you will be afraid of losing that power. And girls, have you ever desired to become a boy. Of course, you want to become a boy because you want to feel that power. Psychoanalysis calls this term 'penis envy', or the desire to have a penis. Many women, whether they consider themselves feminists or not, have a difficult time believing that little girls, upon realizing that little boys have penises, suffer from penis envy. Our society's rigid definitions of gender roles oppress female of all ages and to elevate males to positions of dominance in all spheres of human activity. Is it any wonder that a little girl will want to be a little boy when she realizes that little boys have right and privileges she isn't supposed to even desire?

       Another area of psychological experience that has directed to obtain abstract explanation is human sexuality. Psychoanalytic theorists before Freud believed that sexuality is a  matter of biological pressure that is discharged in the act of sexual intercourse. Freud called that drive eros and placed it in opposition to thanatos, the death drive. He realized that our sexuality is part and parcel of our identity and thus relates to our capacity to feel pleasure in ways that are not generally considered sexual. He believed that even infants are the sexual being who passes through stages like oral, anal and genital in which pleasure is focused in different parts of the body. Psychoanalysis today sees a close connection between our sexuality and our identity because the origin of our sexual being is in the nature of the affirmation or disruption of our sense of self that occurs in childhood. Therefore, our sexuality is one of the clearest and most consistent barometers of our psychological state in general. Our sexuality is an inescapable human reality to which we must live a relationship.

       Sexual behavior is also a product of our culture because our culture sets down the rules of proper sexual conduct and the definitions of normal and abnormal sexual behavior. Society's rules and definitions concerning sexuality form a large part of our superego, or the social values and taboos that we internalize and experience as our sense of right and wrong. The superego is in direct opposition to the id, the psychological reservoir of our instincts, and our libido, or sexual energy. The ego plays a role of referee between id and superego, and all three are defined by their relationships. So the ego is the product of conflict between social rules and regulations (superego) and our desire (id). The relationships among ego, id, and superego tell us as much about our culture as the do about ourselves.

Sunday, September 18, 2016

My Perception of Juino


I had a concept that 'Great tragedy makes Great novel' until I read this book named "Juino" by Binita Baral. (Baral is a renowned actress of Nepal. She debuted Nepali film industry with a movie ‘Chapli Height’ was also called Chapali Girl after the character in the movie. She is also an agricultural entrepreneur. Juino is her first novel.). And this must be normal as I was familiar with Aristotle's theory of tragedy (of a play).  But, Juino proved me wrong about my conception about the ending of a novel that even a happy ending can make a novel great.

Okay, forget it...

Let's focus on my perception of Juino.
Front Cover of Juino.
In my view, Juino is motivational novel for emerging youths.
You may confuse with the motive of this novel whether it is trying to inspire you to fall in Love or emphasise agriculture or both. This is up to people and their choices.  Some people may enjoy the beautiful scenario of the love affair of Ashok and Katha (lead characters) while others may be inspired by Katha's agricultural ideas. And very few people, like me, get both ideas.
From the beginning of the novel, I found it interesting and worth reading.

The journey of Juino begins with the first meeting of the lead characters Ashok and Katha where Ashok falls in love with Katha at first sight. This is when Ashok steals a glance of the beauty of Katha. Katha comes into Ashok's world out of nowhere. Ashok can not even realise that he is in love with a girl who he has just met and who was unknown to him. He has to wait for a month to find out her name. Destiny seems to play its role as he finds out Katha is a niece of the headmaster of the same school where he was employed as an English teacher and where Katha was about to begin her dream project. This is where their love evolves. Katha, too, accepts Ashok's love and they happen to disappear in love.

A moment comes in their love life which tests their love. Their love takes a different mode. But they fail this trial and the same fate separates them which connected them. Ashok finds himself guilty that he was unable to hear his brother's last words while making love with Katha. He blames his love for his misery and decides to leave (dump) Katha. A disaster comes into their love life.

You know, I secretly wanted Ashok and Katha to be together which happens at the end. I assimilate myself with Ashok that he is neither a too bad character nor a too good person, very life-like.

Love changes all, so does Ashok and Katha. The love turns Ashok into an optimistic, patriotic and hard-working person and it adds some energy for Katha to achieve her dream. Katha represents a role model of energetic, brave, optimistic, confident women. Though the characters like Katha are very few in our society but their effort can really make a difference. Her hard work made her achieve success in agricultural revolution. You can do whatever you want to, you just have to put your time and effort to it.

Characters like Headmaster Surya Prasad Baral are the motivators of the society. He inspired not only Ashok to do something for our country but every single youth of Nepal. He motivated us to build a better Nepal. He represents a positive character of the society. We're not that lucky to have many persons like him who encourage young people nowadays. Each village should have such a headmaster. He tells us that the youths today basically inactivated their own vitality, so youth should encourage themselves to move forward. Youth has great power to change the nation, they just need to use it for good. Youths have the courage to fight against injustice.

The writer is trying to make a call for the youth to stop looking for happiness in foreign countries when happiness can be found in our own backyard. The death of Ashok's brother is an example that the life in other countries is not easy as we think, but worse. The main theme of this novel is that it will be a great contribution to the country if you can spread the message that we can do something here. Youth should not seek to escape abroad. If you have the courage to do something, you don't need to seek opportunity in any other country but you can create one in your own country.

I really enjoyed reading this novel.
And, Congratulations to the writer for this successful novel.


Binita Baral, author of a novel 'Juino'.